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21/09/2024 13:42 (UTC)

FLAMENCO BIENNIAL

Walls of Alcázar clap their hands to Pele, and David de Arahal adorns them with chords

Seville, Sep 21 (EFE).- Manuel Moreno Maya, ‘El Pele’. A Cordoban, to be more precise. The singer who was announced this Friday as one of the stars of a great night of flamenco and the Bienal in Seville, with the walls of the Real Alcázar as witnesses and a full auditorium, has already made seventy trips around the sun.

An auditorium like the ones from before, where you sit in order of arrival, without numbered tickets, or where you can enjoy the show standing up, or walk around a thousand-year-old building listening to José Antonio Rodríguez, another man from Córdoba, play a lullaby on his guitar under the Seville moon, announcing that the cast of guests would gradually leave.

In order, together but not mixed up, they have been parading, flamencos like few others, Rodríguez himself, interpreter and composer of pieces such as the soleá or the rondeña that his hands have taken from his guitar, in a mini-recital of about 40 minutes, because, in reality, tonight's performance at the Alcázar has not been one performance, but three in as many pieces, separate, by the way.

FOOTAGE OF THE SINGER MANUEL MORENO MAYA 'EL PELE', OF THE GUITARIST JOSÉ ANTONIO RODRÍGUEZ AND OF THE DANCER ANTONIO CANALES DURING THE FLAMENCO BIENNIAL IN SEVILLE 2024

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